Tamara Stefanovich: 20 Sonatas - Part 1
‘Tamara Stefanovich’s fearlessly uncompromising and dazzlingly executed recital’
Opening a day of exploration, Tamara Stefanovich devotes her first concert to piano sonatas of very different kinds from the 18th and 20th centuries.
Stefanovich begins a trilogy of recitals that explores the myriad ways that the piano sonata was embraced by different composers.
In this first recital, she shows how the sonata has been interpreted through the ages, demonstrating our deep connection to the form.
Stefanovich conjures up the sparkle of Scarlatti and his pupil Soler, written at the Spanish court, and the elegant, improvisation-like music of CPE Bach.
His father JS Bach’s substantial Sonata in A minor after Reincken is a transcription of a work by that older contemporary: its contrasting sections showcase styles that often inspired Bach in the decades ahead.
The 20th century brings vivid contrast.
First there is Busoni’s experimental, forward-thinking language in his Sonatina Secunda of 1912, and then Charles Ives’ concentrated and groundbreaking take on the same form in his rarely heard Three-Page Sonata.
Performers
- Tamara Stefanovich piano
Repertoire
- Bach: Sonata in A minor, BWV.965 (after Reincken)
- Soler: Sonata in C minor, R.100
- Busoni: Sonatina seconda
- D Scarlatti: Sonata in C minor, Kk.158; Sonata in G, Kk.13
- CPE Bach: Sonata in G minor, Wq.65/17
- Ives: Three-Page Sonata
Need to know
Tamara Stefanovich: 20 Sonatas includes three performances over one day. Find out more and book using the links below.
Dates & times
Price
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