When Forms Come Alive: ‘Discover for yourself the ever-transforming experience of sculpture’

Installation view of Michel Blazy, When Forms Come Alive (7 February — 6 May 2024). Photo: Jo Underhill. Courtesy the Hayward Gallery.

When Forms Come Alive presents sculptural work in forms that are surprising and unpredictable, energising and engaging.

The group exhibition featured work from 21 international artists spanning more than 60 years of contemporary sculpture. As Hayward Gallery director Ralph Rugoff explains in this video, When Forms Come Alive ‘charted a flow of ideas across three generations of artists, all of whom make work that seems to be full of life and movement, and explores irregular complex forms’.

This curatorial video introduction from Rugoff gives particular focus to three of the exhibition’s works; Shylight (2006-2014), a performative sculpture of ascending and descending lights that open and close like flowers by DRIFT. Bouquet Final (2012), a slowly cascading wall of foam by Michel Blazy. And, Untitled (Mylar) (2011), a work consisting of thousands of reflective discs of mylar which have been folded and moulded into connecting spheres, by Tara Donovan. 

Ralph Rugoff, an older White man, wearing a suit, stands next to the sculptural work 'Untitled (Mylar)' (2011), which consists of spheres made of thousands of folded discs of mylar, part of When Forms Come Alive at Hayward Gallery.
Ralph Rugoff in front of 'Untitled (Mylar) (2011)', part of When Forms Come Alive at Hayward Gallery, 2024. Screen capture from Southbank Centre video

‘Discover for yourself what this changing, ever-transforming experience of sculpture is like’.

Ralph Rugoff, Hayward Gallery Director
Large black bubble structure
Installation view of Tara Donovan, When Forms Come Alive (7 February — 6 May 2024). Photo: Jo Underhill. Courtesy the Hayward Gallery.
When Forms Come Alive

When Forms Come Alive was at Hayward Gallery, 7 February – 6 May, 2024. Enjoy more articles and videos connected to this exhibition, below.

Tavares Strachan, A Map of the Crown (Congo Candle Wick), 2022. Bronze, human hair, wood.
Tavares Strachan, A Map of the Crown (Congo Candle Wick), 2022. Bronze, human hair, wood. 69 3/4 x 23 5/8 x 23 5/8 in. (177 x 59.9 x 59.9 cm). Courtesy of the artist. Photo: Claire Dorn.
Art & exhibitions at the Southbank Centre

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