‘That looks like it’s made of sofa!’ Kids react to When Forms Come Alive sculptures

Installation view of Tara Donovan, When Forms Come Alive (7 February — 6 May 2024). Photo: Jo Underhill. Courtesy the Hayward Gallery.

How do children react to sculptures when they’re given free rein to explore them with other children?

Well, when you have an art gallery, and you’re hosting an exhibition spanning 60 years of contemporary sculpture, this is a question you needn’t just ponder. You can find out. Which is what we did, by letting a group of children interact with our 2024 Hayward Gallery exhibition, When Forms Come Alive.

From a ‘scary slide’ and a ‘bubble plant pot’, to a ‘smokey dust monster coming out of the wall’ we captured their reactions as they moved between the works from 21 international artists that make up When Forms Come Alive

Several young children sit around a sculpture, part of the When Forms Come Alive exhibition, in the white space of the Hayward Gallery
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‘It’s like a wiggly worm thingy is taking over the earth’

One of the children reacts to Pumping (2019) by Eva Fàbregas

Each work within the When Forms Come Alive highlighted how artists draw on and capture the experiences of movement and flux. The sculptures the children are reacting to include Shylight (2006-2014) by DRIFT, Bouquet Final (2012) by Michel Blazy, Pumping (2019) by Eva Fàbregas, Epiphanie on Stühlen (Epiphany on Chairs) (2011) by Franz West, Dream – Spontaneous – Combustion (2008) by Olaf Brzeski, Globules (2023) and Third Instar (2023) both by Matthew Ronay and A Subsequent Offering (2017) by EJ Hill. 

 

Installation view of Eva Fàbregas, When Forms Come Alive (7 February — 6 May 2024). Photo: Jo Underhill. Courtesy the Hayward Gallery.
When Forms Come Alive

When Forms Come Alive was at Hayward Gallery, 7 February – 6 May, 2024. Enjoy more articles and videos connected to this exhibition, below.

Tavares Strachan, A Map of the Crown (Congo Candle Wick), 2022. Bronze, human hair, wood.
Tavares Strachan, A Map of the Crown (Congo Candle Wick), 2022. Bronze, human hair, wood. 69 3/4 x 23 5/8 x 23 5/8 in. (177 x 59.9 x 59.9 cm). Courtesy of the artist. Photo: Claire Dorn.
Art & exhibitions at the Southbank Centre

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