Dancers respond to the artworks of When Forms Come Alive

Two dancers, both women with dark hair, move together around the sculptural work 'untitled: girl ii' (2019) by Phyllida Barlow in the Hayward Gallery
Screengrab from Southbank Centre produced video

We invited two dancers to respond to artworks within our Hayward Gallery exhibition, When Forms Come Alive.

In the quiet of the gallery Hua and Vanessa Tan improvised dance movements around, beneath and in three of the exhibition’s works; untitled: girl ii (2019), Phyllida Barlow’s sculpture of polystyrene and plaster which resembles an anthropomorphic rock; Shylight (2006-2014), DRIFT’s performative sculpture in which blossoming lights descend from the ceiling; and Pumping (2021), the sprawling room-filling intestine-like installation by Eva Fàbregas.

Hua and Vanessa Tan’s responses to the works can be enjoyed in the videos below.

 

untitled: girl ii (2019), Phyllida Barlow

Two dancers, both women with dark hair, move together around the sculptural work 'untitled: girl ii' (2019) by Phyllida Barlow in the Hayward Gallery
Screengrab from Southbank Centre produced video

 

Shylight (2006-2014), DRIFT

Two dancers, both women with dark hair, move together beneath the sculptural installation 'Shylight' (2006-2014) by DRIFT in the Hayward Gallery
Screengrab from Southbank Centre produced video

 

Pumping (2019), Eva Fàbregas

Two dancers, both women with dark hair, move together within the sculptural installation 'Pumping (2021) by Eva Fàbregas in the Hayward Gallery
Screengrab from Southbank Centre produced video

’Shylight is a performative sculpture. When you enter the space, it becomes a kind of dance that is performed in front of you.’ 

DRIFT
Large black bubble structure
Installation view of Tara Donovan, When Forms Come Alive (7 February – 6 May 2024). Photo: Jo Underhill. Courtesy the Hayward Gallery.
When Forms Come Alive

When Forms Come Alive was at Hayward Gallery, 7 February – 6 May, 2024. Enjoy more articles and videos connected to this exhibition, below.

Tavares Strachan, A Map of the Crown (Congo Candle Wick), 2022. Bronze, human hair, wood.
Tavares Strachan, A Map of the Crown (Congo Candle Wick), 2022. Bronze, human hair, wood. 69 3/4 x 23 5/8 x 23 5/8 in. (177 x 59.9 x 59.9 cm). Courtesy of the artist. Photo: Claire Dorn.
Art & exhibitions at the Southbank Centre

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