James Lavelle's Meltdown

Musical and artistic innovator James Lavelle curate the 21st Meltdown in 2014, following in the footsteps of some of music’s biggest names, including David Bowie, Yoko Ono, Patti Smith and Jarvis Cocker.

Combining creative entrepreneurship with a radical artistic approach, James’ genre-defying portfolio spans music, art, fashion, design and film, and as part of his groundbreaking work with UNKLE, boasts acclaimed musical collaborations with the likes of Queens of the Stone Age, Nick Cave and Thom Yorke.

Collaboration, innovation and a spirit of non-conformism are central to his approach. James worked with young people to curate the programme, meaning that this very special Meltdown in line with his commitment to mobilising the next generation to become the inventors of their own culture.

Mo’Wax inspires a new generation

Both Meltdown and James Lavelle’s iconic label Mo’Wax turned 21 in 2014,  and as part of the festival, Mo’Wax21: Urban Archaeology, an interactive exhibition devised with Southbank Centre as part of the festival, celebrated the creative output of the label James launched as a teenager.

Doug Foster's installation No Beginning, No End in the Clore Ballroom, featured five cyclical artworks and UNKLE's The Heretics' Gate soundtrack. 

The author of How To Love Brutalism explores our Queen Elizabeth Hall
Listen to this explanatory podcast with architect Richard Battye
The best tweets and Instagram photos from the first week of our brutalist venues’ return
Discover the fascinating history of our iconic buildings with Dr. Otto Saumarez Smith
Take a look at how refurbishments in our brutalist venues are progressing
See how our brutalist arts venues are changing
Take a look back through fifty years of the Queen Elizabeth Hall
Enjoy a unique view of the final pyramid rooflight's delivery to the gallery roof.
Hear what Hayward Gallery means to artists, Bridget Riley and Antony Gormley

Meltdown stories

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American garage punk band Radkey performing at James Lavelle's Meltdown, Southbank Centre 2014
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The Guerrilla Girls use facts, humour and fake fur to expose discrimination